artist:
Jason Consolacion - www.jasonconsolacion.com
Describe
your music & vision:
My music consists of rock with heavy jazz and blues influences.
Lyrically, I write about relationships and life as part of the digital
generation. If there was a consistent theme in my music, I'd say it
would be: "Life is like a guitar. If the strings aren't in tune,
it just doesn't sound right." My vision is to be able to
say to people, "It's okay. Don't worry. There still is GOOD music
left to be made. Behind the boy bands, the half-naked teaser teens and
the pitiful excuses for rappers, there are musicians who still care
about their art. Everything's gonna be alright.
"What
makes you unique as an artist?:
I utilize my knowledge in theory and jazz and my ability to play and
use chords that most rock artists wouldn't use. Of course, I'm not the
FIRST person to do this, but I'm part of a rare breed anyway.What is
your favorite thing about your music?:
I take great pride in being the "musician's musician."
Every time I've played my stuff for or with other musicians, they tend
to enjoy it more than non-musicians. That's obviously not a good thing
to aim for, but it's nice to feel intellectual and appreciated among
your peers - especially jazz guys.What do you want people to come away
with when they see you or listen to your music?:
When they watch me play, I want them to walk away experiencing a good
time and feeling good about life in general. I also want them to see
how much I enjoy playing music ... that I enjoyed making them sing,
dance, and most of all, smile. I love seeing people's reaction to my
music. When they listen to my music, I want them to hate me for
getting a good song in their heads. I want them to love me for saying
something that they can connect with. And I want them to know that whether
they liked or love what they heard, I'm always getting better and I'm
always aiming to please. The music is as much for me as it is
for them. I use it for therapeutic reasons. I want them to use it for
entertainment and/or meditation. Either way, I just want them to feel
like they've heard something of substance for a change.
What
brought you to ITR/choosing us over other options:
In all honesty, ITR was my first and only option as far as recording
goes. It was my first opportunity to make something happen with my music,
so I jumped all over it. I hope the producer is happy that I did.
How
would you describe your experience w/ITR:
I've learned so much. I've been pushed to write better both lyrically
and musically. Working with MD is truly like working with a mentor.
He doesn't slam your stuff - even if it downright sucks. He only suggests
ways to make it better. In other words, he won't set you off on a path
that leads to a brick wall. Instead, he'll set you off an a path with
so many forks in the road, you'll have no choice but to keep going until
you find what it is you're looking for. For some, that doesn't work.
But I like the options. It means I can take my music wherever I want.
What
has been your favorite thing about working w/ITR:
It's brought me back to my music. Before I stepped into ITR for the
first time, my life was dominated by a job I hated and a path destined
for mediocrity. But the first time I played my stuff for MD and he expressed
interest in it, I knew that it was time re-commit myself to what I knew
- and what I've always known - that I'm best at. You see, not only has
working with ITR been a learning experience musically, but it triggered
a real turning point in my life. I was either going to spend years kissing
ass while working the ranks in the journalism world, or I was going
to return to music, my first love, and enjoy doing it in the process.
So in essence, working with MD, a true musical and inspirational mentor,
has been my favorite thing about working with ITR.
Did
ITR exceed your expectations?:
Well, in many ways there were no expectations. I came into this not
knowing what to expect and enjoying every minute of it so far. But if
this had to be a yes or no question, I'd say yes because not only has
MD been fun and easy to work with, but he's turned something that started
out as a Chevy and he's turned it into a Mercedes.
General
comments:
I just wanna thank MD for giving me to opportunity to realize my lifelong
dream. My debut gig as a solo artist was back on April 28. And I remember
going over to my friend's apartment the night before, getting nervous
for the first time in my life. I kept on saying "(April 28) is
either the start of something huge or the start of something that I'm
going to invest a lot of time and money in before realizing that it's
not the right thing to do." But my friend just reminded me that
I've already taken that first step towards a music career. I'm already
in the game. I'm recording an album. I'm working with a producer. Gigs
are just another stepping stone. So when it comes down to it,
if it weren't for MD, I would not have the confidence to do what I'm
doing. Sharing my music with a producer - a musician - is one thing.
But having the guts to share it with others is another. And MD has allowed
me to feel okay with that. George Martin. Quincy Jones. MD Thompson.
It's all the same.